Analysis is the process of breaking a complex topic or substance into smaller parts in order to gain a better understanding of it. The technique has been applied in the study of mathematics and logic since before Aristotle (384–322 B.C.), though analysis as a formal concept is a relatively recent development.
The word comes from the Ancient Greek ἀνάλυσις (analysis, "a breaking-up" or "an untying;" from ana- "up, throughout" and lysis "a loosening"). From it also comes the word's plural, analyses.
Requirements analysis – encompasses those tasks that go into determining the needs or conditions to meet for a new or altered product, taking account of the possibly conflicting requirements of the various stakeholders, such as beneficiaries or users.
Literary criticism is the analysis of literature. The focus can be as diverse as the analysis of Homer or Freud. While not all literary-critical methods are primarily analytical in nature, the main approach to the teaching of literature in the west since the mid-twentieth century, literary formal analysis or close reading, is. This method, rooted in the academic movement labelled The New Criticism, approaches texts – chiefly short poems such as sonnets, which by virtue of their small size and significant complexity lend themselves well to this type of analysis – as units of discourse that can be understood in themselves, without reference to biographical or historical frameworks. This method of analysis breaks up the text linguistically in a study of prosody (the formal analysis of meter) and phonic effects such as alliteration and rhyme, and cognitively in examination of the interplay of syntactic structures, figurative language, and other elements of the poem that work to produce its larger effects.
The terms synthesis and analysis are used in mathematics in a more special sense than in logic. In ancient mathematics they had a different meaning from what they now have. The oldest definition of mathematical analysis as opposed to synthesis is that given in [appended to] Euclid, XIII. 5, which in all probability was framed by Eudoxus: "Analysis is the obtaining of the thing sought by assuming it and so reasoning up to an admitted truth; synthesis is the obtaining of the thing sought by reasoning up to the inference and proof of it."
The analytic method is not conclusive, unless all operations involved in it are known to be reversible. To remove all doubt, the Greeks, as a rule, added to the analytic process a synthetic one, consisting of a reversion of all operations occurring in the analysis. Thus the aim of analysis was to aid in the discovery of synthetic proofs or solutions.
The synthetic proof proceeds by shewing that the proposed new truth involves certain admitted truths. An analytic proof begins by an assumption, upon which a synthetic reasoning is founded. The Greeks distinguished theoretic from problematic analysis. A theoretic analysis is of the following kind. To prove that A is B, assume first that A is B. If so, then, since B is C and C is D and D is E, therefore A is E. If this be known a falsity, A is not B. But if this be a known truth and all the intermediate propositions be convertible, then the reverse process, A is E, E is D, D is C, C is B, therefore A is B, constitutes a synthetic proof of the original theorem. Problematic analysis is applied in all cases where it is proposed to construct a figure which is assumed to satisfy a given condition. The problem is then converted into some theorem which is involved in the condition and which is proved synthetically, and the steps of this synthetic proof taken backwards are a synthetic solution of the problem.
Musical analysis – a process attempting to answer the question "How does this music work?"
Musical Analysis is a study of how the composers use the notes together to compose music. Those studying music will find differences with each composer's musical analysis, which differs depending on the culture and history of music studied. An analysis of music is meant to simplify the music for you.
Schenkerian analysis is a collection of music analysis that focuses on the production of the graphic representation. This includes both analytical procedure as well as the notational style. Simply put, it analyzes tonal music which includes all chords and tones within a composition.
Philosophical analysis refers to the clarification and composition of words put together and the entailed meaning behind them. Philosophical analysis dives deeper into the meaning of words and seeks to clarify that meaning by contrasting the various definitions. It is the study of reality, justification of claims, and the analysis of various concepts. Branches of philosophy include logic, justification, metaphysics, values and ethics. If questions can be answered empirically, meaning it can be answered by using the senses, then it is not considered philosophical. Non-philosophical questions also include events that happened in the past, or questions science or mathematics can answer.
Analysis is the name of a prominent journal in philosophy.
^ abWarfield, Scott (November 2014). "Lady in the Dark: Biography of a Musical. By bruce d. mcclung. Oxford: Oxford University Press, 2007. - Oklahoma!: The Making of an American Musical. By Tim Carter. New Haven, CT: Yale University Press, 2007. - South Pacific: Paradise Rewritten. By Jim Lovensheimer. Oxford: Oxford University Press, 2010. - Wicked: A Musical Biography. By Paul R. Laird. Lanham, MD: Scarecrow Press, 2011". Journal of the Society for American Music. 8 (4): 587–596. doi:10.1017/s1752196314000443. ISSN1752-1963. S2CID232401945.